• My letterpress print Colorful Boy featured in Tinker Street art journal, first publication, Hudson, NY
  • Richard Hricko’s Homage to Decay and Recovery, catalog essay for a planned exhibition in New Zealand
  • Tara Sabharwal: Embracing the Lightness of Being, catalog essay for an exhibition at Art Alive Gallery, New Delhi, India


  • Scherezade Garcia, catalog essay for solo exhibition at the Gallery of the College of Staten Island, NYC (April)
  • Seeing Black and Blue: African American Artists After the Storm, “How He Got Over: John Biggers’ African Catalyst,” ed. by Michael D. Harris, (in press)


  • Dissertation: Spirited Pattern and Decoration in Contemporary Black Atlantic Art, Proquest
  • Primordial Ink:  Alexis Nutini’s Synthesized Worlds, Napoleon Gallery exhibition catalog, Philadelphia


  • Faces of Africa and its Diaspora, Stella Elkins Gallery, Tyler School of Art: exhibition catalog, published by Tyler School of Art, Temple University


  • Review of Contemporary African Art Since 1980 by African Arts (2010), James S. Coleman African Studies Center, University of California, Los Angeles.


  • From Taboo to Icon, Africanist Turnabout, catalog from 35-artist exhibition exploring concept of taboo and icon in the African Diaspora. Co-curated with Shervone Neckles for Ice Box Project Space, Crane Arts Building, Philadelphia, PA, (January 10, 2008 – February 12, 2008)
  • Afro-American National Biography Project: “Biography of John Biggers,” Oxford University Press and Harvard University's W. E. B. Du Bois Institute
  • Parnassus, The University of Louisville Graduate Art History Journal, “Seduction/Subversion: African Art and Commodification,” (Spring 2008)
Using Format